Adam Lambert’s New High: Inside the Powerhouse Belter’s Latest Reinvention
After Adam Lambert left his contract with RCA Records, the former American Idol contestant and acting Queen frontman took a break to figure out the direction of his music, and the best way to put his powerhouse pipes to use. “I was taking the opportunity to, without anybody’s input, experiment in-studio and work with some songwriters,” recalls Lambert. “I started working with Axident and John West, and I recorded a song with them called ‘The Original High.'”
“High” is a tense meditation on lost moments that splits the difference between disco and EDM, with Lambert showing off a softer side of his falsetto on the chorus. The song is the title track for Lambert’s third full-length, which is due out June 16.
“The lyrics [to ‘The Original High’] sum up, in the most beautiful, simple way, what I had been noticing about myself and my friends and the circle I’m in here in Los Angeles,” says Lambert. “There’s this underlying sense of longing that I’ve noticed that I feel and that a lot of my friends feel. It’s hard to even put your finger on what it is that you’re longing for.
“We spend a lot of time chasing that first-time feeling,” he continues. “You’re never going to get your first experience back with something. It’s really hard to recreate the first time, and that’s what we’re longing for — that novelty, that discovery. You’re in a big city like this that’s full of dynamic people, and you tend to kind of always look for the next thing. It makes it very hard to be content and to be satisfied with life.”
Lambert, who was thrust into the global pop spotlight in 2009 after his torrid Idol run and subsequent coming out, says that while the lyrics to “High” and the brooding lead single “Ghost Town” can resonate widely, they also caused him to reflect on his recent past.
“I’ve been out here since 2001,” he says. “And that’s the thing: There’s a very fine line between the temptations and the excesses and the pure joy of being an adult in a city full of very competitive, creative people. I’ve been on both sides of it, where it’s blown up in my face and been painful, and I’ve also had wild adventures out here.”
Lambert signed to Warner Bros. last year and re-teamed with pop super-producer Max Martin, who helped write Lambert’s first post-Idol hit, “Whataya Want From Me.” This wasn’t a simple reunion, though; Martin and co-producer Shellback had definite ideas about where Lambert should take his artistry next.
“When I brought [‘The Original High’] to Max and Shellback, they got really excited by it — they loved the sound, the feel, they liked the way I was singing it,” says Lambert. “‘We’re used to hearing you go over the top, but it’s really interesting to hear you pull back and do something more intimate,’ they said. I think that was what made them want to do an album with me. They said, ‘This is a new color of your voice that we want to dig into a little bit more.'”