Inside the Grammys 2015 Pre-Show: 74 Trophies in 195 Minutes
With the televised Grammys crammed ever more full of musical performances, many categories have been sent across the road: Dozens of golden gramophones are distributed at the Nokia Theater before the main event at the Staples Center begins. NARAS has renamed this pre-show gala “The Grammy Awards Premiere Ceremony,” but the vibe remains the same. On a stage with sci-fi pillars and disco lighting, seemingly revived from the Olivia Newton-John film Xanadu, 74 awards were handed out at blitzkrieg speed in a three-and-a-quarter-hour show, covering genres ranging from opera to Latin jazz.
Although the Nokia was close to full (at least at the beginning – by the end, there were only a handful of people left), most of the biggest names didn’t show up. Famous winners who were absent (or represented by a collaborator) included Pharrell Williams (Best Urban Contemporary Album), Beyoncé (Best Surround Sound Album and Best R&B Song, in collaboration with seven others including the also-absent Jay Z), Eminem and Rihanna (Best Rap/Sung Collaboration, plus Best Rap Album for Em), Kendrick Lamar (Best Rap Performance and Best Rap Song), Jack White (Best Rock Performance and Best Boxed or Special Limited Edition Package, for a Paramount Records retrospective), Tony Bennett and Lady Gaga (Best Traditional Vocal Album), Christina Aguilera (Best Pop/Duo Group Performance, with A Great Big World), Tenacious D (Best Metal Performance), Aphex Twin (Best Dance/Electronic Album), Paramore (Best Rock Song), St. Vincent (Best Alternative Music Album), Toni Braxton and Babyface (Best R&B Album), Ziggy Marley (Best Reggae Album), John Williams (Best Instrumental Composition), Carrie Underwood (Best Country Solo Performance), and Jeff Ament of Pearl Jam (Best Recording Package), although Ament did send along the message “The best art in this life comes from collaboration.”
Posthumous Grammys went to Johnny Winters (Best Blues Album, accepted by his brother Edgar) and Joan Rivers (Best Spoken Word Album, accepted by her daughter Melissa Rivers, who noted that her mom loved getting anything, and that she would have not only been honored to have won her first Grammy, she would have had it copied and on the air at QVC by 11).
Actually showing up: “Weird” Al Yankovic for his Best Comedy Album Grammy. “Please, please sit down,” he told the already seated audience. “I signed my record contract in 1982 – it ended up being a 14-album deal,” he said. “Mandatory Fun was my 14th album. In just 32 short years, I was able to fulfill my contractual obligations.”
Rosanne Cash, also present, won three Grammys, for Best Americana Album, Best American Roots Performance and Best American Roots Song. “The last time I won a Grammy, Reagan was president,” she said. “There are second acts in American lives.”
Proving that maxim, Cosby Show actor Malcolm-Jamal Warner won a Grammy for best traditional R&B performance (with Lalah Hathaway and the Robert Glasper Experiment), and said a few words.
Most surprising was the appearance of the press-shy Max Martin, who showed up to collect his Grammy for Producer of the Year, Non-Classical, but almost left it on the podium by mistake.
For most of those in attendance, the vibe was nervous but enthusiastic: A large percentage of the audience was up for awards and didn’t know if the day would prove to be a career highlight or just a passing encounter with the red carpet. Even if they didn’t win, they got to take photos of their names on the big video screens and see an endless parade of effusive speeches, plus a half-dozen live performances, of whom the best were passionate Latin rapper Ana Tijoux, blistering blues singer Angie Fisher, the amped-up folk of Old Crow Medicine Show and country singer Hunter Hayes, who played some hot blues guitar.